I am the author ofThe Best of Iggy, which is the first in a series of middle-grade books about nine-year-old Iggy Frangi, who never met an impulse he didn’t like, and therefore is often in trouble with cold, calculating types like, for instance, grownups. In Iggy’s opinion—and mine—he is creative, brave, resourceful, hardworking, and absolutely full to the brim of good intentions. He’s also really really sorry about the thing he did to his teacher. He thought it would be funny. But it wasn’t. He knows that now, and he’ll never do it again. Though he’ll probably do something else. Oh well. At least he has the following heroes for company.
Everyone should spend 30 minutes each day admiring Calvin and Hobbes, the best comic strip ever made.
Calvin is one of the truly magnificent heroes of children’s literature, an embodiment of all the imaginative and moral power that kids have and grownups don’t.
His best friend, Hobbes, is a profound thinker as well as an intermittently alive stuffed tiger, and together they live, squabbling and happy, in their own crazed world, triumphing over parents, teachers, and other authorities with dazzling illogic and hairbreadth escapes to other realities, much more interesting than this one, where you can evade chores by traveling into a future when they’ve already been done or mysteriously shrink to the size of an insect and wreak revenge on bullies.
The award-winning cartoonist details the further adventures of Calvin, a mischievous young boy with boundless energy and imagination, and his lovable stuffed tiger.
Obviously, the Cat in the Hat is the King of Mayhem. But is he a hero?
I have to admit, The Cat in the Hat made me nervous as a kid—the Cat’s a force of chaos; the house is ruined; Mom will be mad! Even the happy ending seemed too precarious to enjoy and also involved lying to Mom, which, in my experience, never turned out well.
But when the Cat returns in The Cat in the Hat Comes Back,he seems, after a spate of insanity, to become sympathetic to the protagonists’ fears (they are awfully law-abiding, those kids), and he reforms to the extent of providing a solution to the problem he’s created: VOOM, which in my opinion is a metaphor for nuclear power, is a great cleaning agent and soon everything returns to its original tranquility, proving that the while the Cat in the Hat is a vexed hero, he’s also a Cat with a Heart.
The riotously funny follow-up to The Cat in the Hat!
The Cat is back-along with some surpise friends-in this beloved Beginner Book by Dr. Seuss. Dick and Sally have no time to play. It's winter and they have mountains of snow to shovel. So when the Cat comes to visit, he decides to go inside and to take a bath. No problem, right? Wrong! The pink ring he leaves in the tub creates is a very BIG pink problem when he transfers the stubborn stain from the bath onto Mother's white dress, Dad's shoes, the floors, the walls, and ultimately,…
Departing from the surreal is Ramona, the antihero-turned-hero of Beverly Cleary’s Beezus and Ramona series.
Ramona is an entirely realistic child who is filled with passionate desires and intense feelings, all of which she acts on, even when she knows better. The interesting thing about these books is that Ramona was introduced as a foil and annoyance to her long-suffering older sister, Beezus.
But anyone with blood in their veins would find Ramona preferable to Beezus, and so, clearly, did Beverly Cleary, who switched her focus from color-inside-the-lines Beezus to wild Ramona with her varying confusions and longings—such as her insurmountable urge to boing the ringlets of another little girl in her class, which earns her a suspension, and her equally irresistible yearning to kiss little Davy—and in doing so, created a hero beloved for over fifty years.
Newbery Medal–winning author Beverly Cleary expertly depicts the trials and triumphs of growing up through a relatable heroine who isn't afraid to be exactly who she is.
Ramona Quimby is excited to start kindergarten. No longer does she have to watch her older sister, Beezus, ride the bus to school with all the big kids. She's finally old enough to do it too!
Then she gets into trouble for pulling her classmate's boingy curls during recess. Even worse, her crush rejects her in front of everyone. Beezus says Ramona needs to quit being a pest, but how can she stop…
Unlike the sensitive, bullied, internally or externally wounded protagonist common in today’s mid-grade novels, Harriet the Spy is tenacious and smart and fights fire with fire. What a hero!
She sneaks into buildings to spy on unsuspecting grownups; she keeps a notebook to record her uncomfortably truth-filled observations of her schoolmates; and when she is ostracized because of it, she first retaliates with ferocity and then lies through her teeth, which effectively rehabilitates her.
Harriet the Spyis a refreshingly honest look at social hypocrisy, with an admirable hero who won’t back down and won’t stop being herself. If it were published now, it would probably be banned.
First published in 1974, a title in which Harriet M. Welsch, aspiring author, keeps a secret journal in which she records her thoughts about strangers and friends alike, but when her friends find the notebook with all its revelations, Harriet becomes the victim of a hate campaign.
Of course, if you’re talking classic impulse-control-challenged YA heroes, you’re almost obligated to mention Holden Caulfield.
So, okay: Holden Caulfield. But now let’s talk about Earl, who is not the protagonist of Me, Earl, and the Dying Girl, but the protagonist’s incredibly foul-mouthed, incredibly short, incredibly angry, incredibly funny sidekick and creative partner, who will windmill-kick you in the head if you mention his height to him.
Nonetheless, when alerted to the fact that the Girl is indeed Dying, it’s Earl who insists that Greg (Me) step up and be her friend, and it’s Earl who has the moral compass to teach Greg that compassion is more important than dignity. Earl might be a chain-smoking high-school dropout, but he has standards.
Seventeen-year-old Greg has managed to become part of every social group at his Pittsburgh high school without having any friends, but his life changes when his mother forces him to befriend Rachel, a girl he once knew in Hebrew school who has leukemia. 25,000 first printing.
Meet 9-year-old Iggy Frangi. He's not a bad kid, he's really not. Okay, so he's done a few (a few is anything up to 100) bad things. And okay, he's not very sorry about most of them. People make a big deal about nothing. What's a little pancake here and there? Is that something to get mad about? Iggy doesn't think so. No one got hurt, so there's no problem. No one got hurt except for that one time, that one time when the Best Idea Ever turned into the Worst Idea of All Time.
Miranda falls in love with her dream house but soon discovers it's an affair with complications. A lot of them. Rosewood is a centuries old, tumble-down, gambrel roofed charmer located in an isolated, coastal corner of Virginia referred to as "strange". Known for long-standing and antiquated customs, an almost indecipherable brogue and possible witchcraft connections, Miranda shrugs all locational concerns aside to pursue her new love.
When an archeological dig is undertaken at the property, a series of incidents commences that goes beyond just "bumps in the night". Awakened one night by the eerie glow from a ring of fire…
After a logics professor buys the house of her dreams, she must contend with unexplainable happenings. An ancient blue bottle appears to be at the root of the mysterious incidents, but is it?
Miranda falls in love with her dream house but soon discovers it's an affair with complications. A lot of them. Rosewood is a centuries old, tumble-down, gambrel roofed charmer located in an isolated, coastal corner of Virginia referred to as ""strange"". Known for long-standing and antiquated customs, an almost indecipherable brogue and possible witchcraft connections, Miranda shrugs all locational concerns aside to pursue her new love.
